Asteroid City, Wes Anderson’s latest film, addresses accusations that his movies are overly stylized and lack substance. The film adopts a storybook-like aesthetic, reminiscent of Anderson’s other works, but also explores the idea of fictionality within its narrative. The movie presents itself as a play being performed for live television in the 1950s, with behind-the-scenes glimpses into the lives of the show’s playwright, director, and actors. The film’s meta dimensions multiply as the characters play fictional characters within the play, blurring the lines between reality and fiction. The climax of the film brings together the two narrative tracks, leading to a poignant moment where the protagonist breaks character and questions his performance. This moment reflects Anderson’s desire to explore the role of the artist in storytelling. The artificiality of Anderson’s work is not a hindrance, but rather an invitation for the audience to look beyond the story and see the artist behind it. The film concludes with a deleted scene, performed by one actor, which serves as a powerful reminder of Anderson’s creative process and his emotional connection to his characters. Despite the fictional nature of Asteroid City, the audience becomes invested in the plight of the characters and is reminded of the artists who created them.
Wes Anderson’s ‘Asteroid City’ Ending, Explained
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