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Art Reviews

Review: “Truth Told Slant” at The High Museum of Art

by Haddis Thomas
Review: “Truth Told Slant” at The High Museum of Art

Kristine Potter, ‘Knoxville Girl,’ 2016, gelatin silver print, High Museum of Art, Atlanta, purchased with funds from Wanda Hopkins, 2022.52. © Kristine Potter A 2013 essay by Hilary Mantel in …

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Review: ‘YOKO ONO: MUSIC OF THE MIND’ at Tate Modern

by Haddis Thomas
Review: ‘YOKO ONO: MUSIC OF THE MIND’ at Tate Modern

Yoko Ono with ‘Half-A-Room,’ 1967 from HALF-A-WIND SHOW, Lisson Gallery, London, 1967. Photo © Clay Perry In 1964, Yoko Ono self-published an anthology of “instructions” entitled Grapefruit. The work gave …

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Review: “Janet Sobel: All-Over” at The Menil Collection

by Haddis Thomas
Review: “Janet Sobel: All-Over” at The Menil Collection

‘Milky Way,’ 1945, Enamel on canvas, 44 7/8 x 29 7/8″ (114 x 75.9 cm). Gift of the artist’s family. © Janet Sobel. Photo: © The Museum of Modern Art/Licensed …

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Don’t Miss: Mark Rothko’s Paintings on Paper at the NGA

by Haddis Thomas
Don’t Miss: Mark Rothko’s Paintings on Paper at the NGA

‘Untitled,’ c. 1944, watercolor, ink, and graphite on watercolor paper sheet: 38.1 x 53.3 cm (15 x 21 in.), National Gallery of Art, Washington, Gift of The Mark Rothko Foundation, …

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Who and What to See at the 2024 Whitney Biennial

by Haddis Thomas
Who and What to See at the 2024 Whitney Biennial

The 2024 Whitney Biennial has attracted surprisingly few protesters. Patrick McMullan via Getty Image The 81st Whitney Biennial, “Even Better Than The Real Thing,” feels decidedly anti-artificial intelligence. The introductory …

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Review: “SEEING RED” On View in Phillips London Galleries

by Haddis Thomas
Review: “SEEING RED” On View in Phillips London Galleries

Laura Bohinc, ‘Big Girl Chair’ and ‘Peaches Pouffe-Red.’ Courtesy PhillipsX Red has always stood out, even if its power is just now being discovered by creators pushing the Unexpected Red …

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Review: ‘The Anxious Eye’ at the National Gallery of Art

by Haddis Thomas
Review: ‘The Anxious Eye’ at the National Gallery of Art

Otto Dix, ‘Dead Men before the Position near Tahure (Tote vor der Stellung bei Tahure),’ 1924, etching and aquatintplate: 19 x 25.6 cm (7 1/2 x 10 1/16 in.)sheet: 34.8 …

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Review: ‘Harlem Renaissance and Transatlantic Modernism’ at the Met

by Haddis Thomas
Review: ‘Harlem Renaissance and Transatlantic Modernism’ at the Met

An installation view of ‘The Harlem Renaissance and Transatlantic Modernism’ at the Met. Courtesy The Met, Photo by Anna-Marie Kellen Among New York neighborhoods, Harlem has long stood out for …

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Review: ‘Bronx Calling Sixth AIM Biennial’ at Bronx Museum of the Arts

by Haddis Thomas
Review: ‘Bronx Calling Sixth AIM Biennial’ at Bronx Museum of the Arts

An installation view of ‘Bronx Calling: Sixth AIM Biennial.’ Courtesy The Bronx Museum of the Arts The Bronx Museum of the Arts is way up there, but if you can …

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Review: ‘Drip Splatter Wash’ at Nelson-Atkins Museum of Art

by Haddis Thomas
Review: ‘Drip Splatter Wash’ at Nelson-Atkins Museum of Art

John La Farge (American 1835-1910). Study of Pink Hollyhocks in Sunlight, from Nature, 1879. Watercolor and opaque watercolor over graphite on paper, 11 15/16 x 9 11/16 inches (30.3 x …

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