Cave of Avoidance (Not Yours), part of Trevor Yeung’s “Courtyard of Attachments” in this year’s Hong Kong Pavilion in Venice. Photo: © Ela Bialkowska, OKNO studio. Commissioned by M+, 2024 …
Emily Frankel & Mark Ryder in Todd Bolender’s At the Sill Point (1955). © Harvard Theatre Collection, Houghton Library About two and a half hours northeast of New York City, …
An installation view of “Pacita Abad” at MoMA PS1. Photo: Kris Graves In recent years, there has been a significant resurgence of interest in women’s textile practices. No longer confined …
Elizabeth Catlett, Torture of Mothers, 1970/2003. Hand-colored lithograph. Collection of Juanita and Melvin Hardy. © 2024 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS), NY. (Photo: Mark …
Pioneer Works was imagined as a place where artists, scientists and thinkers from various backgrounds could converge and work together in real time. Courtesy of Pioneer Works Pioneer Works, a …
Work to rebuild an earthquake-ravaged New Zealand cathedral has been called off after funding ran dry, almost 14 years after the building was left in ruins. The reinstatement of the …
Artsy president Dustyn Kim says art has always been part of her life. Courtesy of Artsy In 2017, Observer posed this question: As the online art auction space shrinks, is …
Kara Walker, Divining Rod, 2007. Collection of Brooke Garber Neidich and Daniel Collage as a fine art medium has come of age during an opportune period—when our diverse field of …
James Turrell’s Ganzfield Apani (2011), at Powder Mountain. Photo by Florian Holzherr, courtesy of Powder Mountain After stepping down from the company last year, Netflix (NFLX) co-founder Reed Hastings invested …
Here, Mills, 67, talks to Vogue about returning to Broadway for the first time in 40 years, her show-day wellness routine, and why it may not be long before we …